The Antichrist Identity V THE ANTICHRIST IDENTITY V – DECODING THE MESSAGES
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A Critical, Newly Released, 2011 Report Examining the Multiple Layers of the One World Government Agenda
DECODING THE MESSAGES (PART 4)
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THE ANTICHRIST IDENTITY V – DECODING THE MESSAGES
This report is the property of Rema Marketing and is considered to be strictly for reading only. With receipt of this report, the recipient acknowledges and agrees that written permissions must be secured from the publisher to use or reproduce any part of this report, except for brief quotations in critical reviews or articles. A publication of Rema Marketing. @2011, All rights reserved.
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THE ANTICHRIST IDENTITY V – DECODING THE MESSAGES
THE ANTICHRIST IDENTITY V – DECODING THE MESSAGES The battle is for the mind and so music (what we hear) and films (what we see) are two of the most potent weapons used to kill our spiritual vitality. This section focuses on how hollywood and the music industry clearly convey doctrines of demons and hidden symbols and messages designed to manipulate the sub conscious of the unsuspecting listener and watcher and ultimately disconnect the spiritual connection with the true God, Jehovah.
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DECODING THE MESSAGES
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THE DARK SIDE OF THE SHERLOCK HOLMES MOVIE
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HOLLYWOODS DISINFORMATION ON SECRET SOCIETIES
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THE OCCULT ROOTS OF THE WIZARD OF OZ
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THE MASONIC EVOLUTION OF THE MUSIC INDUSTRY
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BREAKING DOWN KANYE WEST “POWER”
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FOOTNOTES
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2. DECODING THE MESSAGES “I have someone else that takes over when it’s time for me to work and when I’m on stage, this alter ego that I’ve created that kind of protects me and who I really am” Beyonce talking about her alter ego, Sasha Fierce
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THE DARK SIDE OF THE SHERLOCK HOLMES MOVIE
The Hollywood blockbuster Sherlock Holmes revolves around occult murders and world conspiracies. The movie is riddled with occult symbols and allusions to a “New Order”. We’ll look at the history of Sherlock Holmes, the origins of the symbols found within the movie and its meaning in today’s context. Inspired by Sir Arthur Conan Doyle’s stories, the movie Sherlock Holmes brings back to life the famous detective of the nineteen century. The plot revolves around murders that are apparently connected with occult rituals. This leads Sherlock into the mysterious world of secret societies and political conspiracies. Doyle’s works contained some vague references to occultism or Freemasonry; the movie, however, focuses solely around those themes and incorporates elements that are very relevant in today’s context: a New World Order lead by secret societies. Although no real life secret society are actually mentioned, numerous symbols and references are peppered throughout the movie taken directly from Freemasonry, Rosicrucianism or the Illuminati. Cleverly embedded into the scenes and never really explained, those symbols can almost be considered hints to insiders concerning the real inspirations of the movie. Let’s look at the Masonic background of the original author of THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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Sherlock Holmes, Arthur Conan Doyle, and how this influence has been taken to the “next level” in the movie. Doyle was born into an Irish Catholic family in Edinburgh, Scotland in 1859. At age eleven, he was sent to a Jesuit school, Stonyhurst College, in which he was said to have spent “five unhappy and lonely years”. After obtaining his Bachelor of Medicine and Master of Surgery from Edinburgh University, Doyle developed a great interest for spiritualism. In an article which appeared in MQ (the official Journal of the United Grand Lodge of England), Freemason Yasha Beresiner explains Conan Doyle’s interest for spiritualism and Masonry: “He first set up a practice with a fellow student Dr Budd, but soon parted company having been accused of not pulling his weight, and moved, with his newly wedded wife Louise Hawkins, to Southsea near Portsmouth in Hampshire where he established himself as an eye specialist. It was here that between 1885 and 1888 he attended a number of table turning sittings at the home of General Drayson a teacher at Greenwich Naval College, who was one of his patients. These sessions were experimental and Doyle was critical both of the procedures and the ritual involved, which he called a farce. He also questioned the intellect of the sitters. But he was hooked. In 1887, the year he became a freemason, he joined the Society for Psychical Research, this was a public declaration, as it were, of his interest and belief in the occult. It was in this state of mind, exceedingly curious and now seriously delving into the world of spiritualism, that on the 26th of January 1887 Arthur Conan Doyle was initiated into Freemasonry at the Phoenix Lodge No 257 in Southsea, Hampshire. He was 27 years old.” 1 It was the Phoenix Lodge no. 257 where Doyle befriended a certain Dr. James Watson, who became the inspiration for Sherlock Holmes’ trusty sidekick. Beresiner continues: “It would be logical to presume that Doyle came into Freemasonry expecting, maybe hoping, to discover elements of the spiritualism that now occupied his mind. He was certainly well recommended. His proposer was W. D. King, later Sir William David King, Deputy-Lieutenant for Hampshire, a most prominent public man in Portsmouth who was elected Mayor of the borough on four separate occasions. His seconder was Sir John Brickwood an equally respected and successful Brewer in the city. Doyle rose rapidly through the degrees. On 23 February 1887 he was passed to the second degree and a month later, on 23 March he was made a full-fledged Master Mason.” 1 Doyle then resigned from Freemasonry only to rejoin several times during his life. Masonry was sometimes mentioned in Doyle’s writings, which were not all focused on Sherlock Holmes. In The Land of Mist, published in 1926, Doyle describes the character Weatherby: “… that is a pompous ass named Weatherby. He is one of those who wander about on the obscure edges of Masonry, talking with whispers and reverence on mysteries where no mystery is. Spiritualism, with its very real and awful mysteries, is, to him, a vulgar thing because it brought consolation to common folk, but he loves to read papers on the Palladian Cultus, ancient & accepted Scottish rites and baphometic figures. Eliphas Levi is his prophet.” 20 Throughout his adventures, Sherlock Holmes (who was not a Mason) has proved to be quite knowledgeable of Freemasonry, spotting Masonic rings and other clues with ease.
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SYMBOLS IN THE MOVIE This analysis won’t focus on the actual storyline, but rather on the numerous symbols peppered throughout the film. Sherlock Holmes contains a great deal of themes and symbols taken directly from today’s secret societies. They are very subtle and rarely explained in the movie, making them almost invisible to everyday viewers. To “educated” viewers however, those symbols can easily be recognized and placed into context. Although some of them are not historically accurate or have been modified to make them “fictional”, the presence of those themes are in perfect accord with the unprecedented wave of occult symbolism in mass media today. So let’s take a look at some of them. A. BLACK MAGIC RITUAL
The movie starts off with Sherlock interrupting a Black Magic ritual. A hooded man (Lord Blackwood) is reciting incantations in front of a woman laid on a sacrificial altar. The occult theme of the movie is pretty much laid out, right from the start. B. ORDER OUT OF CHAOS
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In a seemingly trivial scene, a slightly “altered on morphine” Sherlock plays violin notes to flies in a tube. He explains to Watson his discovery: when he plays atonal clusters to the flies, they synchronize and start flying in concentric circles. Thus, using musical theory, he has created order out of chaos. “Ordo ab Chao” (which is translated to English to Order Out of Chaos) is probably the most famous Masonic maxim. Mackey’s encyclopedia documents the use of this phrase since 1395 as the official motto of the Ancient Craft Masonry. “Ordo ab Chao” is now the official motto of the highest and honorary degree of Scottish Rite Masonry, the 33rd degree. C. INSIGNIA OF THE 33RD DEGREE WITH THE SAYING “ORDO AB CHAO” ON TOP Some occult researchers claim that the saying refers to the elite’s propensity to create crises which generate fear and confusion in the masses (chaos) in order to introduce new policies and laws that are favorable to them(order). The “pièce of résistance” would be the creation of a New World Order lead by the occult elite after a period of generalized chaos, which would be of their creation. In this context, can Sherlock’s insects flying in concentric circles represent the masses hypnotized by the New World Order’s atonal notes?
D. BLACKWOOD’S CELL When Sherlock visits Lord Blackwood at his prison cell, he notices strange engravings on the walls. One of them stands out:
This symbol of a crucified rose is considered to be the first symbol representing the Rosicrucian Order, a hermetic brotherhood dating from the Middle-Ages. “The original symbol of the Rosicrucian Fraternity was a hieroglyphic rose crucified upon a cross. The cross was often raised upon a three-stepped Calvary.” 2 THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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E. WAS LORD BLACKWOOD A ROSICRUCIAN? “Rosicrucians, a name assumed by a sect or cabal of hermetical philosophers ; who arose, as it has been said, or at least became first taken notice of in Germany, in the beginning of the fourteenth century. They bound themselves together by a solemn secret, which they all swore inviolably to preserve : and obliged themselves, at their admission into the order, to a strict observance of certain established rules. They pretended to know all sciences, and chiefly medicine : whereof they published themselves the restorers. They pretended to be masters of abundance of important secrets, and, among others, that of the philosopher’s stone: all which they affirmed to have received by tradition from the ancient Egyptians, Chaldeans, the magi and gymnosophists. They have been distinguished by several names, accommodated to the several branches of their doctrine. Because they pretend to protect the period of human life, by means of certain nostrums, and even to restore youth, they were called Immortals; as they pretended to know all things, they have been called Illuminati; and because they have made no appearance for several years, unless the sect of Illuminated which lately started up on the continent derives its origin from them, they have been called the Invisible Brothers.” 3 Some researchers have claimed that the Rosicrucians had “taken over” Freemasonry during the beginning of the 18th century. It has played an important, yet secretive role in the shaping of today’s world. The detectives discover that the lab seem to mix advanced science with occultism. Another interesting symbol is found on a wall. F. BLACKWOOD’S SPELLBOOK
After being summoned by “The Order”, Sherlock is told that Blackwood’s spell book is the key to stop him. This spell book contains some symbols that might be recognizable. The creature in the middle looks remarkably like the Baphomet in the image to the right. G. THE ORDER In Sherlock Holmes, The Order is an occult brotherhood which can easily compared to “real world” Freemasonry. It is said in the movie that their “secret system has stirred the world to greater good for centuries, but it can also be used for more nefarious purposes … the Dark Arts or practical magic”. The Order has many members in government and police.
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Blackwood, a practitioner of Black Magic, takes over The Order by force, claiming that he has a “magnificent purpose”: to create a new future, a future ruled by the Brotherhood. Later in the movie, Blackwood says “The new order … begins now”, which is a reference to the New World Order ushered in by the Illuminati that is said to be taking place today.
Blackwood, a practitioner of Black Magic, takes over The Order by force, claiming that he has a “magnificent purpose”: to create a new future, a future ruled by the Brotherhood. Later in the movie, Blackwood says “The new order … begins now”, which is a reference to the New World Order ushered in by the Illuminati that is said to be taking place today. With Blackwood taking seat at the Throne of The Order the pyramid in the background has an illuminated capstone, which is considered to be the ultimate “Illuminati symbol”. Blackwood’s takeover of The Order probably refers to the take over of Freemasonry by German Illuminism and Rosicrucianism during the 18th century, which drastically changed some of its doctrines and lead to its worldwide spread. So, here’s the major spoiler: All of this occult, magical stuff turned out to be trickery that Sherlock explained with logic and science. So, after the viewers are exposed to the symbols and the Brotherhood, they are told that these things are fiction, and even rather ridiculous. This is kind of surprising, considering that director Guy Richie was married to Qabbalah adept Madonna. Further, the occultism presented in the movie is rather dark, threatening and borderline satanic. In a rather ominous final scene, Sherlock describes a machine that could exist in 2010: “Imagine a device able to control anybody simply by saying a command using radiowaves … it’s the future”. A possible uncanny reference to the HAARP program. 4 CONCLUSION Although the occult elements of the movie are presented as being fictional products of director Guy Richie’s imagination, many of the symbols used are taken from actual occult works. There is no doubt that some research has been done in order to give the movie some “occult authenticity”, but it seems to go further than this. There is a certain cohesiveness in the symbols used, which makes them more than decorative additions, but rather a series of clues pointing towards actual Secret Societies. Were they placed for “those in the know” as a sort of cryptographic message or insider’s joke? Did the director want the viewers to play Sherlock Holmes? These symbols mean one thing for sure: We are witnessing a definite occultization of mass media.
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HOLLYWOODS DISINFORMATION ON SECRET SOCIETIES During the last years, a new trend appeared in Hollywood: secret societies being at the center of movie intrigues. Some might find this surprising since secret societies are supposed to be…well…secret. Many people in the movie industry are part of those Brotherhoods so what is the reasoning behind this? We’ll look at the myth Hollywood is trying to create by examining “National Treasure” and “Angels and Demons”. A decade ago, movies about Freemasonry or the Illuminati were rare and far apart. There has however been a major switch during the last decade. The world wide public has witnessed major blockbuster movies featuring those Brotherhoods at the center of the story. Their exoteric symbols are abundantly displayed and some of their history is even explained. Why are those societies exposing themselves to the average movie goers, who, for the most part aren’t even aware of their existence? Isn’t secrecy an important requisite for the survival of those orders? There is an important change is taking place in the communication strategies of these elite societies. The advent of the digital age, where any individual can create and publish content has rendered the secrecy of such organizations impossible. Self-published websites, books, documentaries, DVDs and other medias have exposed many secrets of Masonry and other orders. Information which could only be found in rare and exclusive books is now a Google search away. I have encountered some Masons who were astonished by the level of knowledge possessed by the ”profane”. Those types of Masonic scholars, who aren’t actually initiated into the Brotherhood, were very rare not too long ago. Since the digital switch is irreversible (and completed), occult orders have adapted their strategy to this new context (they’ve probably saw this coming years ago). The strategy is : “If they have to know about us, we’ll tell them what to know“. Through Hollywood and best-selling books, secret societies are being introduced to the average Joe but with one BIG condition: the public is given a distorted, caricatured and romantic portrayal of secret societies. We are introducing in pop culture a mythical lore around secret societies, associating them with fascinating symbols, treasures hunts and exotic adventures. The viewers believe they are actually learning facts about Freemasonry or the Illuminati and they leave the movies with a sense of wonder, fascination and admiration. Those feelings are however based on totally erroneous facts, dubious explanations and fairy tale story telling. After viewing those movies, the viewer has a positive predisposition concerning those orders and will be less inclined to believe and research conspiracies related to them. NATIONAL TREASURE This blockbuster adventure movie was produced by Walt Disney Pictures, a brand that guarantees familyfriendly entertainment. So parents can bring their kids and enjoy a nice, wholesome, Masonic disinformation session. The movie revolves around a treasure hunt based on clues left by prominent Masons on the Declaration of Independence. The movie starts with the main character (played by Nicholas Cage) as a little boy, searching for information about his family history. The boy’s grandfather comes in and gives the boy (and the audience) a totally false and distorted story of the Knights Templars and the Freemasons. Here are some of the claims: • •
The Knights Templars found under the Temple of Solomon a great treasure which was lost for a thousand years. They’ve brought the treasure back to Europe. It has been said that the Templars possessed extremely rare religious artifacts. Were they found under the Temple of Solomon? The legend says yes. The movie however describes the treasure as gold coins, statues and such.
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•
The Templars decided to smuggle the treasure into the United States and changed their name to the Freemasons.
This is where everything falls apart. The Templars did not change their name to the Freemasons at the dawn of the American civilization. The Templars have actually disappeared in 1312, which is more than 400 years before the creation of the USA. “Seemingly untouchable for nearly two centuries, the Templars fell from grace spectacularly after the loss of the Holy Land: in 1307, all Templars in France were arrested on charges of heresy, homosexuality, denial of the cross and devil worship. The order was suppressed by the Pope in 1312, and Jacques de Molay, the last Grand Master, was burnt at the stake as a heretic two years later. ” 5 The Freemasons are not an all-American institution, as the movie insinuates. It is a European secret society dating from the Middle-Ages, who opened lodges in North America to expand its reach. The goal of Masonry is not to “protect a great Templar treasure”, it is an ancient order of builders who incorporated into its rites, over the years, teachings of the Templars, Rosicrucians and the Illuminati. The Templars was an occult order who had fought during the Crusades at the side of the Church. It is during their stay in the Middle East that they’ve secured occult knowledge from eastern mystics and brought it back to Europe. They’ve became great bankers and Cathedral builders (in which they’ve included occult symbolism). They were known to practice the Kaballah, many forms of magic and the black arts. Their conflicting interests with the Catholic church ultimately lead to their persecution and demise. The Freemasons can be considered spiritual descendants of the Knights Templar due to their study of esoteric sciences, their building of monuments and their philosophy based on gnostic principles. The link THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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between the Templars and the Masons is being cultivated due to the mythical lore surrounding the Knights. In other words, it’s good publicity. ” In order to insure great popularity for the [Scottish] rite, he [Isaac Long] linked it directly with the Templars by a mysterious legend.” 6 So the “educational” part of the movie gives in fact a mythical and romantic story of Freemasonry. Some viewers might view this distortion as fact, others will associate everything Masonic to a fairytale. The important thing is that the truth about Freemasonry is concealed behind a veil of mythology. There is also an interesting choice of transition between the face of the grandfather telling the story and the Pyramid of Gizeh.His eye becomes the All-Seeing Eye of the Great Architect
Like all true mythological stories, National Treasure has an exoteric meaning for the ignorant masses and an esoteric meaning for the initiates. If the exoteric story is meant to mislead the public, the esoteric meaning carries however great truths about occult brotherhoods. Here’s the hidden meaning. The “ancient treasure” that was jealously guarded by ancient civilizations is in fact occult knowledge, the Mysteries, that could break the shackles of materialism and help their possessor access divinity (Kaballah, alchemy, gnosticism and occult sciences). This treasure disappeared for a thousand years from the Western world, which corresponds to the early Christian period. The movie says that it was eventually discovered by the Knights Templar in Jerusalem, under the Temple Solomon (the Freemasons’ sacred building) and brought it back to Europe. This knowledge then migrated to the USA through secret societies. The hero of the movie is on a quest for illumination and the riddles he must solve represent the initiations one must pass before accessing higher knowledge. This all-important treasure is symbolically buried under Trinity Church in New York, in a hidden cave which is dark and cavernous. Ben Gates has to light up the torch of illumination to find his way to the hidden knowledge. The torch represents the Luciferian doctrine of American Freemasonry instituted by Albert Pike. In the highest degrees, Lucifer is taught to be the “light bearer”, the god of Good who shows to path to illumination.
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“Its [high degrees of Scottish Rite] religion is Manichean neo-gnosticism, teaching that the divinity is dual and that Lucifer is the equal of Adonay, with Lucifer, the God of Light and Goodness struggling for humanity against Adonay the God of Darkness and Evil.” 6 “When the Mason learns that the key to the warrior on the block is the proper application of the dynamo of living power, he has learned the mystery of his craft. The seething energies of Lucifer are in his hands and before he may step onwards and upwards he must prove his ability to properly apply (this) energy.” 7 Back to the story. Ben Gates, with his Luciferian torch finds the path to illumination and obtains access to an infinite source of knowledge. During the scene where the heroes look around the treasure room, they find very significant items: Scrolls from the Library of Alexandria, Egyptian statues and other artifacts from the Antiquity. All of those objects refer to the occult knowledge that has been communicated through the ages through secret societies. At the end of the movie, Ben Gates speaks with the FBI inspector and begs him not to send him to jail. Flashing his Masonic ring, the representative of the law says “someone has to go to jail” for the stealing of the Declaration of Independence. The next scene shows the ”bad guys” (the non-Masons) getting arrested, even if they did not actually steal the Declaration. We see here a blatant example of the Masonic oath superseding the law. The FBI agent wilfully ignored the law to help his Masonic brother. The movie “Angels and Demons” is based on Dan Brown’s novel which focuses on the Illuminati and its war against the Catholic Church. The hero runs across Rome to save the Vatican from a mega-bomb which was set up by Illuminati agents to blow at midnight. The first page of Dan Brown’s book claims that “the Illuminati was factual”, inciting the readers to take everything written in the book as facts. They should not do so.
A. CORRECTING THE DISINFORMATION In the beginning of the movie, Robert Langdon (played by Tom Hanks) ventures himself into explaining the Illuminati. Here are some of his claims in italics below. “The Illuminati was founded by Galileo Galilei in response to the Church’s refusal of his heliocentric theory” Actually the Illuminati was officially founded in Upper Bavaria, by Adam Weishaupt on May 1st 1776. This is more than 130 years after Galilei’s death and not even in the same country. The movie’s association of THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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Galilei with the Illuminati seems like an attempt to associate this brilliant scientist’s name to the conspiratorial secret society. “The Illuminati did not become violent before the 17th century.” Actually the illuminati during this era was never violent, its actions were based on infiltration and subversion. “It was an association of scientists, physicists and astronomers concerned with the Church’s inaccurate teachings and they were dedicated to scientific truth. The Vatican didn’t like that, so the Church started to “hunt them down and kill them”. Actually Illuminati was not a group of scientists dedicated to the advancement of common knowledge. The movie falsely portrays the secret society as the necessary rational counterpart to Christianity’s requirement of blind faith and its hindering of scientific advancement. In this optic, the average viewer cannot disagree with Tom Hank’s description of the Illuminati and sees the order in a favorable way. The real aim of the Illuminati was the overthrow of traditional institutions in favor of a new world order. • • • • • •
The actual real objectives of the Bavarian Illuminati, were : The destruction of Christianity and of all Monarchical Governments ; The destruction of nations as such in favor of universal internationalism ; The discouragement of patriotic and loyal effort branded as narrow minded prejudice, incompatible with the tenets of goodwill to all men and the cry of ” Universal Brotherhood ” ; The abolition of family ties and of marriage by means of systematic corruption ; The suppression of the rights of inheritance and property.
The Bavarian Illuminati publicly dissolved some years after its creation. Researchers however say that the Illuminati has successfully integrated itself within modern Freemasonry. Illuminati thinkers believed that worldwide reach of Masonic lodges represented the ideal platform for the propagation of their ideals. To sum up, the Illuminati was not an association of bright scientists dedicated to the advancement of scientific truths. It was a secret society who, through infiltration and subversion, aimed to overthrow traditional institutions in order serve the best interests of the secret elite. It is true that the Illuminati was thoroughly anti-Church but this war wasn’t the main reason of its existence. Nowadays, the Illuminati is considered to be a hidden order which recruits within Freemasonry potent candidates for the continuation of its agenda. B. THE ESOTERIC MEANING OF THE MOVIE Dan Brown’s work has mostly been focused on secret societies. There is an important reason why he has the full support of Hollywood: his works serve the agenda of disinformation. In the movie, the Illuminati threatens the Vatican to “destroy the Church by light”. ”Light” refers to the explosion of the anti-matter bomb but it also refers to information – propaganda and indoctrination. The only true way to make the masses turn their back on Christianity is not by destroying the Vatican, but by changing the way people see their religious elite. In that optic, the movie itself is the bomb against the Vatican. Even if the Church, with the help of Robert Langdon, apparently prevails at the end of the movie, the viewer of Angels of Demons has spent two hours seeing all the symbols, rituals and figures of Catholicism being desecrated. Some examples: Robert Langdon destroys the archives of the Vatican, candidates for papacy are kept in cages like animals, one candidate is crucified and burned inside a church, the tomb of the defunct Pope is opened to reveal his grossly deformed face, etc. All those scenes have a strong symbolic meaning which deeply affect the conscientiousness of the viewers. The holy and divine aura surrounding the Vatican is replaced by gruesome deaths, destruction and THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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corruption. The whole movie depicts the institution as an inadequate, stubborn and reactionary relic of the past. To top it off, the viewers learn that the whole “Illuminati” thing was a big setup, masterminded by the son of the Pope (yes apparently, the Pope had a son) to take his position. So the movie tells the viewer that the Illuminati doesn’t even exist and that the Church is so corrupted that its members are ready to commit the most horrendous sins to obtain power. The viewers ultimately leave the movie with the exact ideas the elite wants them to keep: the Illuminati is a fairy tale and, when it actually existed, it was an association of great thinkers dedicated to the advancement of science; the Catholic Church is a deeply flawed and human institution, which is bound to disappear due to its aversion to science. Through this movie, the real Illuminati denies its own existence while still carrying out its plan to destroy organized religions by constant indoctrination CONCLUSION The trend of seeing secret societies in books and movies is not about to end. Dan Brown’s next novel, “The Lost Symbol” will also focus around Freemasonry and its ties with Washington. These works are now appearing as a result of the democratisation of information, which allows regular people to access information which was previously inaccessible. These movies serve the same purpose as occult symbols: to reveal and to conceal. They reveal to the initiates while they mislead the profane. Hollywood movies have been used to promote numerous agendas such as the Vietnam war, the fear of Communism, the fear of Islamic terrorism, the promotion of American values, etc. The movies analyzed above simply promote a new agenda, which is disinformation about secret societies.
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THE OCCULT ROOTS OF THE WIZARD OF OZ With its memorable story and its cast of colorful characters, the Wizard of Oz quickly became an American classic. More than a hundred years after the release of this book, kids everywhere are still enchanted by Oz’s world of won- der. Few, however, recognize that, under its deceptive simplicity, the story of the Wizard of Oz conceals deep esoteric truths inspired by Theosophy. Here we’ ll look at the Wizard of Oz’s occult meaning and its author’s background.
Although the Wizard of Oz is widely perceived as an innocent children’s fairy tale, it is almost impossible not to attribute a symbolic meaning to Dorothy’s quest. As in all great stories, the characters and the symbols of the Wizard of Oz can be given a second layer of interpretation, which may vary depending on the reader’s perception. Many analyses appeared throughout the years describing the story as an “atheist manifesto” while others saw it as a promotion of populism. It is through an understanding of the author’s philosophical background and beliefs, however, that the story’s true meaning can be grasped.
L. Frank Baum, the author of the Wizard of Oz was a member of the Theosophical Society, which is an organization based on occult research and the comparative study of religions. Baum had a deep understanding of Theosophy and, consciously or not, created an allegory of Theosophic teachings when he wrote the Wizard of Oz. WHAT IS THEOSOPHY? The Theosophical Society is an occult organization, mainly based on the teachings of Helena P. Blavatsky, which seeks to extract the common roots of all religions in order to form a universal doctrine. “But it is perhaps desirable to state unequivocally that the teachings, however fragmentary and incomplete, contained in these volumes, belong neither to the Hindu, the Zoroastrian, the Chaldean, nor the Egyptian religion neither to Buddhism, Islam, Judaism nor Christianity exclusively. The Secret Doctrine is the essence of all these. Sprung from it in their origins, the various religious schemes are now made to THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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merge back into their original element, out of which every mystery and dogma has grown, developed, and become materialized.” 8 The three declared objects of the original Theosophical Society as established by Blavatsky, Judge and Olcott (its founders) were as follows:9 • • •
“First — To form a nucleus of the Universal Brotherhood of Humanity, without distinction of race, creed, sex, caste, or color. Second — To encourage the study of Comparative Religion, Philosophy, and Science. Third — To investigate the unexplained laws of Nature and the powers latent in man.”
The main tenets of Theosophy are thoroughly described in Blavatsky works Isis Unveiled and The Secret Doctrine. At the core of Theosophical teachings are the same tenets found in many other occult schools: the belief of the presence of a “divine spark” within every person which, with the proper discipline and training, can lead to spiritual illumination and a state of virtual godliness. Another important principle found in Theosophy is reincarnation. It is believed that the human soul, like all other things in the universe, go through seven stages of development. Theosophical writings propose that human civilizations, like all other parts of the universe, develop cyclically through seven stages. Blavatsky posited that the whole humanity, and indeed every rein- carnating human monad, evolves through a series of seven “Root Races”. Thus in the first age, humans were pure spirit; in the second age, they were sexless beings inhabiting the now lost continent of Hyperborea; in the third age the giant Lemurians were informed by spiritual impulses endowing them with human consciousness and sexual reproduction. Modern humans finally developed on the continent of Atlantis. Since Atlantis was the nadir of the cycle, the present fifth age is a time of reawakening humanity’s psychic gifts. The term psychic here really means the realization of the permeability of consciousness as it had not been known earlier in evolution, although sensed by some more sensitive individuals of our species. The ultimate goal is of course to return to the state of divinity from which we’ve emerged. The same tenets (with subtle variations) can be found in other schools such as Rosicrucianism, Freemasonry and other orders teachings the Mysteries. Before writing the Wizard of Oz (or even contemplating becoming a children’s story author), Baum held many jobs. One of which was editor of the Aberdeen Saturday Pioneer. In 1890, Baum wrote a series of articles introducing his readers to Theosophy, including his views on Buddha, Mohammed, Confucius and Christ. At that time, he wasn’t a member of the Theosophical Society but he already showed a deep understanding of its philosophy. Here’s an excerpt of his “Editor’s Musings”. 10 “Amongst various sects so numerous in America today who find their fundamental basis in occultism, the Theosophist stands pre-eminent both in intelligence and point of numbers. Theosophy is not a religion. Its followers are simply “searchers after Truth”. The Theosophists, in fact, are the dissatisfied with the world, dissenters from all creeds. They owe their origin to the wise men of India, and are numerous, not only in the far famed mystic East, but in England, France, Germany and Russia. They admit the existence of a God – not necessarily of a personal God. To them God is Nature and Nature is God…But despite this, if Christianity is Truth, as our education has taught us to believe, there can be no menace to it in Theosophy.” In another of his “Editor’s Musings”, Baum discusses the use of mystic symbolism in fiction, something he accomplished ten years later with the Wizard of Oz: “There is a strong tendency in modern novelists towards introducing some vein of mysticism or oc- cultism into their writings. Books of this character are eagerly bought and read by the people, both in Europe and America. It shows the innate longing in our natures to unravel the mysterious: to seek some explanation, THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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however fictitious, of the unexplainable in nature and in our daily existence. For, as we advance in education, our desire for knowledge increases, and we are less satisfied to remain in ignorance of that mysterious fountain-head from which emanates all that is sublime and grand and incomprehensible in nature.” 21 At the end of this article, Baum goes into an all-out plead for more occultism in literature: “The appetite of our age for occultism demands to be satisfied, and while with the mediocrity of people will result in mere sensationalism, it will lead in many to higher and nobler and bolder thought;and who can tell what mysteries these braver and abler intellects may unravel in future ages?” 21 Two years after writing those articles, L. Frank Baum and his wife Maud Gage joined the Theosophical Society in Chicago. The archives of the Theosophical Society in Pasadena, California recorded the start of their membership as September 4th, 1892. In 1890, the Wizard of Oz was published. When asked about how Baum got his inspiration for the story, he replied: “It was pure inspiration…It came to me right out of the blue. I think that sometimes the Great Author has a message to get across and He has to use the instrument at hand. I happened to be that medium, and I believe the magic key was given me to open the doors to sympathy and understanding, joy, peace and happiness.” 11 The Wizard of Oz is much appreciated within the Theosophical Society. In 1986, The American Theosophist magazine recognized Baum as a “notable Theosophist” who thoroughly represented the organization’s philosophy. “Although readers have not looked at his fairy tales for their Theosophical content, it is significant that Baum became a famous writer of children’s books after he came into contact with Theosophy. Theosophical ideas permeate his work and provided inspiration for it. Indeed, The Wizard can be regarded as Theosophical allegory, pervaded by Theosophical ideas from beginning to end. The story came to Baum as an inspiration, and he accepted it with a certain awe as a gift from outside, or perhaps from deep within, himself.” 12 So what is the esoteric meaning of this children’s story, which came to Baum as a “divine inspiration”? THE OCCULT MEANING OF THE WIZARD OF OZ A. THE PATH TO ILLUMINATION The film follows 12-year-old farmgirl Dorothy Gale (Judy Garland) who lives on a Kansas farm with her Aunt Em and Uncle Henry, but dreams of a better place “somewhere over the rainbow.” After being struck unconscious during a tornado by a window which has come loose from its frame, Dorothy dreams that she, her dog Toto and the farmhouse are transported to the magical Land of Oz. There, the Good Witch of the North, Glinda (Billie Burke), advises Dorothy to follow the yellow brick road to the Emerald City and meet the Wizard of Oz, who can return her to Kansas. During her journey, she meets a Scarecrow (Ray Bolger), a Tin Man (Jack Haley) and a Cowardly Lion (Bert Lahr), who join her, hoping to receive what they lack themselves (a brain, a heart and courage, respectively). All of this is done while also trying to avoid the Wicked Witch of the West (Margaret Hamilton) and her attempt to get her sister’s ruby slippers from Dorothy, who received them from Glinda. THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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The entire story of the Wizard of Oz is an allegorical tale of the soul’s path to illumination — the Yellow Brick Road. In Buddhism (an important part of Theosophical teachings) the same concept is referred to as the “Golden Path”. The story starts with Dorothy Gale living in Kansas, which symbolizes the material world, the physical plane where each one of us starts our spiritual journey. Dorothy feels an urge to “go over the rainbow”, to reach the ethereal realm and follow the path to illumination. She has basically “passed the Nadir” by demonstrating the urge to seek a higher truth. Dorothy is then brought to Oz by a giant cyclone spiralling upward, representing the cycles of karma, the cycle of errors and lessons learned. It also represents the theosophical belief in reincarnation, the round of physical births and deaths of a soul until it is fit to become divine. It is also interesting to note that the Yellow Brick Road of Oz begins as an outwardly expanding spiral. In occult symbolism, this spiral represents the evolving self, the soul ascending from matter into the spirit world. B. THE SPIRALLY BEGINNING OF THE SPIRITUAL PATH Here’s an explanation of the spiral as an occult symbol: “Spiral: The path of a point (generally plane) which moves round an axis while continually approach- ing it or receding from it; also often used for a helix, which is generated by compounding a circular motion with one in a straight line. The spiral form is an apt illustration of the course of evolution, which brings motion round towards the same point, yet without repetition. The serpent, and the figures 8 denoting the ogdoad and infinity, stand for spiral cyclic motion. The course of fohat in space is spiral, and spirit descends into matter in spiral courses. Repeating the process by which a helix is derived form a circle produces a vortex. The complicated spirals of cosmic evolution bring the motion back to the point from which it started at the birth of a great cosmic age.” 13 Before undertaking her journey, Dorothy is given the “silver shoes”, which represent the “silver cord” of Mystery Schools (Dorothy was wearing ruby slippers in the movie due to a last minute change by the director, who thought that the color ruby looked better against the Yellow Brick Road). In occult schools, the silver cord is considered to be the link between our material and spiritual selves. “In Theosophy, one’s physical body and one’s Astral body are connected through a “silver cord”, a mythical link inspired by a passage in the Bible that speaks of a return from a spiritual quest. ‘Or ever the silver cord be loosed, says the book of Ecclesiastes, ‘then shall the dust return to the earth as it was and the spirit shall return unto God who gave it’. In Frank Baum’s own writing, the silver cord of Astral travel would inspire the silver shoes that be- stow special powers upon the one who wears them” 14 During her journey along the Yellow Brick road, Dorothy encounters Scarecrow, Tin Woodman and Cowardly Lion who are respectively searching for a brain, a heart and courage. Those odd characters embody the qualities needed by the initiates in order to complete their quest for illumination. Baum was probably inspired by these words from Miss Blavatsky: “There is no danger that dauntless courage cannot conquer, there is not trial that a spotless purity cannot pass through; there is no difficulty a strong intellect cannot surmount” 8 THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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After surmounting many obstacles, the party finally reaches Emerald city in order to meet The Wizard. C. THE WIZARD Surrounded by artifices and special effects, the Wizard comes across as cruel, rude and unwise. The Wizard is in fact a stand-in for the personal God of the Christians and the Jews, the oppressive figure used by conventional religions to keep the masses in spiritual darkness: Jehovah or Yahweh. It is later discovered that the Wizard is a humbug, a charlatan, who scares people into worshipping his Wizard. He surely could not help the characters complete their quest. If you read literature of Mystery schools, this point of view towards Christianity is constantly expressed.
After all is said and done, the brains, the heart and the courage needed to complete Dorothy, Scarecrow, Tinman and Lion’s quests were found within each one of them. Mystery Schools have always taught their students that one must rely on oneself to obtain salvation. Throughout the story Dorothy’s dog Toto represents her “inner voice”; her intuition. Here’s a description of Toto taken from the Theosophical Society’s website: “Toto represents the inner, intuitive, instinctual, most animal-like part of us. Throughout the movie, Dorothy has conversations with Toto, or her inner intuitive self. The lesson here is to listen to the Toto within. In this movie, Toto was never wrong. When he barks at the scarecrow, Dorothy tries to ignore him: “Don’t be silly, Toto. Scarecrows don’t talk.” But scarecrows do talk in Oz. Toto also barks at the little man behind the curtain. It is he who realizes the Wizard is a fraud. At the Gale Farm and again at the castle, the Witch tries to put Toto into a basket. What is shadow will try to block or contain the intuitive. In both cases, Toto jumps out of the basket and escapes. Our intuitive voice can be ignored, but not contained. In the last scene, Toto chases after a cat, causing Dorothy to chase after him and hence miss her bal- loon ride. This is what leads to Dorothy’s ultimate transformation, to the discovery of her inner powers. The balloon ride is representative of traditional religion, with a skinny-legged wizard promising a trip to the Divine. Toto was right to force Dorothy out of the balloon, otherwise she might never have found her magic. This is a call for us to listen to our intuition, our gut feelings, those momentary bits of imagination that appear seemingly out of nowhere.” 15 As stated above, the fake Wizard invites Dorothy into his balloon to go back to Kansas, her final destination. She however follows Toto (her intuition) and gets out of the balloon, which represents the empty promises of organized religions. This leads to her ultimate revelation and, with the help of the Good Witch of the North (her divine guide), she finally understands: everything she ever wanted could be found “in her own backyard”.
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In order to obtain illumination Dorothy had to vanquish the wicked witches of the East and the West — who were forming an evil horizontal axis: the material world. She was wise in listening to the advice of the good witches of the North and South — the vertical axis: the spiritual dimension.
At the end of the story, Dorothy wakes up in Kansas: she has successfully combined her physical and spiritual life. She is now comfortable being herself again and, despite her family not really believing the details of her quest (the ignorant profane), she can finally say “There is no place like home”. D. THE WIZARD OF OZ USED IN MONARCH MIND CONTROL Almost all documentation relating to the MK Ultra project and Mind Control mention the importance of the Wizard of Oz. In the 1940’s, the story was reportedly chosen by members of the US intelligence community to provide a thematic foundation for their trauma-based mind control program. The movie was edited and given a different meaning in order to use it as a tool to reinforce the programming on the victims. Here are some examples taken from Fritz Springmeier’s Total Mind Control Slave: 16 The close relationship between Dorothy and her dog is a very subtle connection between the satanic cults use of animals (familiars). A Monarch slave child will be allowed to bond with a pet. The child will want to bond with a pet anyway because people are terrifying to it by this point. Then the pet is killed to traumatize the child. Monarch slaves are taught to “follow the yellow brick road.” No matter what fearful things lie ahead, the Monarch slave must follow the Yellow Brick Road which is set out before them by their master. The rainbow with its seven colors has long had the occult significance of being a great spiritual, hypnotic device. Dorothy is looking for a place where there is no trouble, which is a place “over the rainbow.” To escape pain, alters go over the rainbow. (This is a.k.a. in Alice In Wonderland Programming as “going through the looking glass”). “Somewhere Over the Rainbow” is probably the most dissociative song ever written and is often played in movies during violent or traumatizing events (i.e. the movie Face-Off ). The strange effect produced, where the violence doesn’t seem real anymore, is exactly how dissociation works on mind-control victims. We may also speculate that the scene where Dorothy falls asleep in a poppy field is a reference to the use of heroin THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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to relax and manipulate the victims of mind-control. Also consider the snow falling from the sky that awakens Dorothy from her slumber. CONCLUSION Allegorical stories transmitting spiritual truths have existed since man’s beginnings. These simple yet extremely profound stories have been found in all civilizations: Celtic, Indian, Persian, Aztec, Greek, Egyptian and others. Consciously or not, Frank Baum created a classical allegory which, in the same vein as Homer’s Odyssey, entertains the masses and also contains mystical messages that can be understood by the “awakened”. The Wizard of Oz’s great success confirms America’s (and the Western world’s) real spiritual dogma. Written during the 1890’s, when most Americans were conservative Christians, Baum’s story anticipated the population’s progressive abandonment of traditional religions and the embrace of a new form of spirituality. Today’s New Age movements are gaining many adepts and, even if most of them are total shams, they all claim to be inspired by Theosophy. Could such tales have contributed to the spectacular decline of Christianity in the past decades while other movements continue to gain momentum?
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THE EVOLUTION OF THE MUSIC INDUSTRY Music is perhaps the greatest way of expressing emotions, thoughts and messages. There is no doubt that music can be uplifting and inspiring. There nothing better than coming home, relaxing and listening to your favorite track after a difficult day at work or school. For centuries music has been a source of entertainment and highly appreciated form of art. Some of the world's most recognizable names of all-time are musicians such the biblical King David and classical musicians like Mozart, Bach, Strauss and the like. In modern times, musicians are held in very high esteem indeed. Within some circles they are given god-like status. As such, it can be safely said that some of them are in a sense worshipped. You will understand what I'm talking about if you've ever been to a concert where thousands of adoring fans were screaming and chanting the name of the musician they came to see live. Some are reduced to tears and even lose consciousness because of the sheer euphoria of the occasion. With all this in mind, it can also be safely said that music can be used as a very powerful tool for good or for evil. Music can either be a source of liberation or one of bondage. Through the innate pleasure which music provides to its listeners, it can either control them or improve the quality of their life to some degree. The fact is that the type of music you listen to can have incredible consequences on your behavior, emotions, thoughts and your life in general. Arguably, Lucifer was perhaps the first and greatest musician that every lived. Of course, he is no longer known as Lucifer these days, but rather the 'satan' or adversary. So, it really should not come as surprise to you to hear that music is one of his primary devices which uses specifically to enslave men's minds and to ultimately destroy them. Yes, indeed, music can have a hypnotic effect on the listeners even without them knowing it. Subliminal messages or encrypted messages are a common feature of many of today's modern music. Music is a powerful influence, both for good and evil. In The Republic, Plato recognized its potential as a disintegrating force and advocated its control. In the modern era, Antonio Gramsci recognized that Communism could succeed only if the traditional culture, including music, was first subverted. For the past two generations, popular music has become openly hostile to traditional values. While some forms, such as country music, have resisted this trend, most popular music is a purveyor of drugs, rebellion, perverted sex, the primitive and the occult, and Satanism. Traditional values always rest upon a religious foundation, so the most powerful attack in a culture war is an attack upon the underlying faith. Satanism, which inverts the Judeo-Christian tradition -- calling evil good and good evil -- is the sharpest possible attack. Satanism in music first became visible when the face of Aleister Crowley appeared on the cover of the Beatles' Sgt. Pepper album. Before long this was followed by the Rolling Stones' song, Sympathy for the Devil. Throughout the 70s this trend gained traction. It wasn't until the 80s, that visible blatant Satanism began making its appearance in American living rooms. Since then, displays of Satanism -- from Madonna to Eminem to Jay-Z --have proliferated. Are such displays for real? Are the performers really Satanists? Or is this just an act to titillate an audience and gain notoriety? It doesn't matter. Either way Satanic influence infects the culture. What better way to get most performers, and audiences, to adopt Satanism than to let them think it isn't to be taken seriously, that it's an act, that it's cool. THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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No doubt some performers are Satanists. But more important, many of those who control the music industry and determine which performers are promoted, are Satanists. Today, Satanism is deeply entrenched in the music industry. A current example is Lil Wayne, a well-known performer of minimal gifts, who is featured on a music video called "On Fire." In it, he is seduced by a woman who is "hot." She is really (supposedly) a devil from hell. One has only to compare this video to the movie "Body Heat" (1981), which has a similar theme, to see how crude and stupid the video is. But that seems to be part of the idea. It seems to be deliberately primitive and stupefying. The song, indeed the whole production, is sub-literate. Its thousand jump cuts make you feel (as TV in general does) as if something significant is happening, or about to happen, but in the end it leaves you feeling empty and wasted. In the meantime, you have left your spirit open and unguarded, so that subliminal images and messages implant themselves in your soul. How did all this come about? What enabled Gramsci's cultural revolution (i.e., cultural destruction) to succeed? The answer is: the creation of a "youth culture." Only when a generation gap had been created was there an opening to subvert that culture and to corrupt its members. And that process -- so far as many of you may be concerned -- began long ago, with music that seemed not only innocuous but wholesome. One person stated that when they were a small child when Rogers and Hammerstein's musical "South Pacific" became fantastically popular. Romantic songs such as "Some Enchanted Evening" and comic songs such as "There Is Nothing Like a Dame" captivated the public. Two or three of the songs, including "Bali Ha'i," were on the Top Ten. But young as this person was, one of the songs particularly stuck in my mind. It had a haunting, rather melancholy sound, and the words made a strong impression on me. You've got to be taught, before it's too late, Before you are six, or seven, or eight, To hate all the people your relatives hate, You've got to be carefully taught. Isn't this just a nice song decrying prejudice? Who could object? But beneath its surface, South Pacific suggests that war (and personal unhappiness) is somehow the result of racial hatred and also of sexual repression. (Bali Ha'i is a kind of fantasy paradise of sexual license.) And the song "Carefully Taught" teaches that this social pathology, which leads to war and personal misery, is the product of... yes, the family. To break this cycle of "hate," we need to separate the children (the younger the better) from their families, to break the bond that connects them. Get mothers out of the home and into jobs. Get the children into kindergarten, into pre-school, into day care. And get the schools, rather than the family, to teach the children values. Teach them that all cultures, however primitive, are equal. Teach them that all sexual "life styles," including the perverted, are equal. Teach them that it's wrong to hate anyone (except one's own family). Then we can sing "Carefully Taught" the way Rogers and Hammerstein really meant it.
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The Illuminati are Luciferians and Satanists. They seek to "ascend into heaven... above the stars of God," to "be like the Most High." They want to make man (i.e., themselves) God. To accomplish this, they have to destroy the bedrock faith of our culture. And to do this, they need to fragment the family, ily, so as to have a free hand with the nascent generation. Once the Illuminati succeed in severing the ties between the generations, generations, their power becomes complete and so they have been accomplishing this objectives by the propulsion of Masonic symbols and references through the music of the worlds leading music stars. The symbolism surrounding Lady Gaga is so blatant blatant that one might wonder if it’s all a sick joke. Illuminati symbolism is becoming so clear that analyses like this one becomes a simple exercise of pointing out the obvious. Her whole persona (whether its an act or not) is a tribute to mind control, where wh being vacuous, incoherent and absent minded becomes a fashionable thing.
Lady Gaga incorporates in her videos, photos and shows symbolism that refers to the Illuminati and mind control. Her symbolism is deep, esoteric and even spiritual yet yet she makes song like “Just Dance” which is about being totally numb. This paradoxical aspect of Lady Gaga is something that deserves to be analyzed and understood. While masses of young people imitate Gaga’s gestures, her act is part of a bigger system that at incorporates many other stars with the same symbolism. She is creative and a gifted song writer. But at the end of the day, the “Lady Gaga” persona is a Fame Monster, doing everything required to be an international superstar, including incorporating in in her act the symbolism of the elite, making her an Illuminati puppet. Gaga is a term that immediately refers to absent mindedness. Here are some synonyms taken from a thesaurus: “Gaga” is probably the easiest word to say in the English language, as it is often the first sound emitted by babies trying to imitate speech. So her name basically says: I’m a lady and I’m empty-headed. empty This empty head can filled with any crap you want. Imitate me young people. This state of mind is achieved after successful mind control. Her name is also said to be inspired by Queen’s song “Radio Gaga”. The video of this song contains many scenes of the 1927 movie Metropolis. The motion picture tells the story of a woman from the working class that was chosen by the elite to give life to a robot, through a mix of science and Black magic. This robot becomes a sexy and alluring performer and is given the goal to corrupt the working class. References to this movie abound in music videos, as if it was very significant for the occult elite. e Madonna, Beyonce, Kylie Minogue and many others have taken the likeness of this female robot, Lady Gaga also continues this “tradition”. THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA A MARKETING AND WWW.GLOBALREPORT2010.CO OM
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Her logo is pretty revealing and particularly fitting. Its a headless female body with a bolt of lightning going through her and exiting her genitalia. There is once again a focus on the lack of conscious thought by the singer. The body looks like the weird headless mannequins you find at clothing stores. The bolt of lightning implies that her thoughtless body has been “charged” with a force that gives it life (interesting note: traumabased mind control is often induced using electro-shock treatments). You only need to look at a couple of Lady Gaga pictures or videos to notice that she is constantly hiding one of her eyes. Most people will simply interpret this as ”a cool thing to do” or a “fashion statement”. Those who have passed the 101 of Illuminati symbolism know that the All-Seeing Eye is probably its most recognizable symbol. The gesture of hiding one eye, usually the left one, goes way back in occult orders. One also can’t ignore the resemblance with good ol’ Baphomet in some of the other images of her.
I have someone else that takes over when it’s time for me to work and when I’m on stage, this alter ego that I’ve created that kind of protects me and who I really am, the former Destiny’s Child front woman said in a statement. Sasha Fierce is the fun, more sensual, more aggressive, more outspoken side and more glamorous side that comes out when I’m working and when I’m on the stage. Channelling is where a human enters into an ‘altered state of consciousness’ which allows the person to become a conduit or ‘channel’ for the spirit of another, who can then use the channel to speak and take limited actions. This is, in essence, what a medium does to communicate with the dead. The channelling popular in some New Age circles is more extensive than the traditional medium, and sometimes involves the identity of the channelled being taking full control of the channel for a short period of time. Some people who are not spiritually sensitive or knowledgeable would just shrug this off as being no big deal. However, it’s a huge deal. You are who you are and you should exist as God made you. What does God say about dealing with spirits? Leviticus 19:31 (King James Version) Regard not them that have familiar spirits, neither seek after wizards, to be defiled by them: I am the LORD your God. What Beyonce does not understand is that she is dealing with familiar spirits. That’s a dangerous place in which to be and she has no clue. THE ANTICHRIST IDENTITY SERIES A PRODUCTION OF REMA MARKETING AND WWW.GLOBALREPORT2010.COM
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The theme of the album “I am…Sasha Fierce” revolves around the duality between the godly Beyonce and the evil Sasha Fierce. This spiritual duality is fought in the songs, the pictures and the videos. Songs like “Ave Maria” and “Halo” on her album contain obvious spiritual connotations and can be interpreted as either religious songs or odes to her satanic possessor. The persona of Sasha Fierce – who is presented as a separate entity- always wears heavy makeup on her eyes, if not sunglasses which represent her deceptive nature. The images below sums ups perfectly the spirit behind Sash Fierce. Baphomet’s vehicle Sasha Fierce is wearing a metal plate featuring prominently the face of Baphomet, who is also featured on the sigil of the Church of Satan:
Baphomet’s head is the only part of the picture that is in color, which shows the importance of this symbol. Another head of Baphomet sits right on top of the first making things even more significant. Sasha’s “dress” is adorned with stylish rear-view mirrors and motorcycle handles, which makes Sasha Fierce the vehicle of Baphomet. This exact outfit was used for a George Michael video…someone, somewhere thought it would be a perfect fit for Sasha Fierce. In her interviews, Beyonce describes her performances as Sasha Fierce like an experience coming right out of The Exorcist. Another major music star, Rihanna has been recently dragged into the mix after videos such as “Umbrella,” “Disturbia,” “Run This Town,” and “Wait Your Turn.” In Umbrella, while covered in black paint, she poses inside of a triangle in a post that looks reminiscent of the Baphomet. If you look at the image to the left and observe the top of her back you will see an erie connection to what seems to be two dark eyes with horns (her arms) protruding out from the eyes reminiscent of the image to the right.
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The premise of her music video single “Russian Roulette” is where Rihanna is locked in a padded room while a man dressed in an army-type uniform – her handler — is manipulating her thoughts through hightech devices. The video is in fact depicting mind control and Monarch programming in a stylized and aesthetic way. The handler is using his gadgets to make Rihanna hallucinate traumatizing events in order to break her spirit and re-build her. Many key elements of this sadistic practice (which is acknowledged in CIA documents) are portrayed in the video. The main goal of Monarch programming, a type of mind-control procedure, is to cause the subject to live an intense trauma, which will cause the victim to dissociate from reality. A fragmentation of the personality will ultimately ensue. Due to the severe trauma induced through electroshock therapy, sexual abuse and other methods, the mind splits off into alternate personalities from the core. Formerly referred to as Multiple Personality Disorder, it is presently recognized as Dissociative Identity Disorder and is the basis for MONARCH programming. Further conditioning of the victim’s mind is enhanced through hypnotism, double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with various drugs which alter certain cerebral functions. The video illustrates the fact that Russian Roulette is not actually about suicide, it is about being forced to commit suicide by a handler. It is about mind control.
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BREAKING DOWN KANYE WEST “POWER” Kanye West’s “Power” is a short, almost stationary video that manages to tell a profound story in symbolic language. By decoding the occult meaning of the symbols present in this moving tableau, the viewer discovers who really holds the “power” in the world and understands the story of Kanye West’s initiation. We will look at the meaning of those symbols as they appear in the video. Rapper and producer Kanye West has always found a way to stand out from the crowd. His video Power is no exception. It differs from the MTV norm in many regards, whether you look at the content or the form. The duration of the video, the filming style and the subject matter are quite distinct from today’s typical rap videos as it is short (1:43), filmed in a single shot (compared to the one-shot-per-second standard of music videos) and is very rich in archetypal symbolism. Director Marco Brambilla sought to depict the concept of power in the form of a “video tableau”, a moving painting that slowly reveals itself to the viewer with a continuous camera movement. The director seem to have perfected this technique in his previous creation, Civilization, a video mural created for the new Standard Hotel in New-York city. The symbolism present there is simply overwhelming. For Power, Brambilla went for a neo-classic aesthetic, but still created a piece full of symbolic and cultural references. As it was the case for paintings of the neo-classic era, each object, each symbol and each detail in the video conveys an important meaning, a meaning that is needed to understand the entire story. As we will see later, many symbols in the video have a deep occult meaning and many of them point to Freemasonry and Mystery schools. By doing so, the director clearly states what type of power is being presented in the video. We will therefore look at the meaning of the symbols displayed in the video as they appear in the shot. SYMBOLS OF THE VIDEO The video starts off with a close-up of Kanye West with glow-in-the-dark eyes, as if he was “illuminated” from within. He stands between an infinite row of Ionic columns, which represent “wisdom” in Masonic symbolism. A. KANYE WITH ILLUMINATED EYES BETWEEN ROWS OF TWIN PILLARS
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THE ANTICHRIST IDENTITY V – DECODING THE MESSAGES
As regular readers of this site already know, the occult meaning of the twin pillars is ancient, profound and present in the symbolism of almost all mystery schools of History. There are many layers of interpretation attributed to the two columns, but one constant is always present: The pillars represent the entrance — the gateway — to the world of the initiate. Behind the columns can be found the key to the Mysteries and, consequently, the source of true power. This concept has been used for in many cultures and schools of thought.
The two columns called the “Pillars of Hercules” in Ancient Greece stood at the gateway to the sphere of the enlightened “The city of the philosophic elect rises from the highest mountain peak of the earth, and here the gods of the wise dwell together in everlasting felicity. In the foreground are the symbolic pillars of Hercules which appear on the title page of Bacon’s Novum Organum, and between them runs the path which leads upward from the uncertainties of earth to that perfect order which is established in the sphere of the enlightened.” 17
In Power, Kanye is standing at the mouth of the gateway to the “sphere of the enlightened,” right at the border of the corrupt and decadent material world. So, right from the start of the video, the director reveals the true nature of power in this world: It is not your democratically elected officials, but those who consider themselves to be behind those pillars. One of the most significant lines of the song is “In this white man’s world, we the ones chosen” Does Kanye’s “white man’s world” refer to the hidden rulers, the Bavarian Illuminati, who are hidden behind those pillars? Did they choose Kanye West and give him Power by permitting him to become an influential figure in the entertainment industry? Was he chosen to become one of them? The next symbol might shed some light into this. B. THE EYE OF HORUS
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THE ANTICHRIST IDENTITY V – DECODING THE MESSAGES
The next thing that catches the viewer’s eye is most probably that gigantic chain with Horus’ head as a pendant. Horus is an ancient Egyptian deity that has an extreme importance in occult mysteries. Considered to be the Sky god, he is more often represented with the symbol of a single eye. The Eye of Horus is an ancient Egyptian symbol of protection and royal power from deities, in this case from Horus or Ra. “Horus, the son of Osiris and Isis, was called “Horus who rules with two eyes.” His right eye was white representing the sun while his left eye was black representing the moon. According to Egyptian legend Horus lost his left eye during a fight with his murderous uncle, Seth, to revenged his father’s death. Seth tore out his nephew’s eye but lost the fight because the assembly of the gods declared Horus the victor. The eye was reassembled by the magic of Thoth. Then Horus gave the eye to Osiris who experienced rebirth in the underworld.” 18 The importance of the “one-eye” in occult symbolism has been highlighted in many articles on The Vigilant Citizen. The All-Seeing Eye found on the Great Seal of the United States and many other occult symbols originate from the Eye of Horus. The symbolism of Horus is especially of great importance in Freemasonry, as the path of an initiate through the Masonic degrees is described as the process by which the Eye of Horus is opened. So Kanye stands at the gateway between the corrupt world of the profane and the exclusive world of the illuminated, wearing a Horus pendant, an unmistakable symbol of the Mysteries. One might say: “Well maybe Kanye just likes Egyptian things.” Maybe so, but in the context of this video, where all details are important and extremely meaningful, Horus becomes another piece of this symbolic puzzle. C. HORNED GIRLS
The entrance of the gateway of pillars is guarded by two horned albino girls holding a staff. Their features are very reminiscent of depictions of Isis and Hathor, goddesses of ancient Egypt. Another allusion to Egyptian magic. Isis and Hathor crowning Queen Nefertari. Both goddesses were depicted with bovine horns on their heads. Isis was the mother of Horus and was the goddess of motherhood, nature and magic. Hathor was also considered as a maternal deity while also being the goddess of music, dance and fertility. Both Isis and Hathor were known to welcome and protect the dead during their journey to the afterlife, a concept that is particularly interesting in the context of the video.
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“The goddess (Hathor) [...] manifests two aspects of her divine power: first of all, she participates in the afterlife rite of passage, by means of which the deceased attains eternal life, and, second, she demonstrates her special connection to the Egyptian king. Hathor is rightly called a royal goddess, and in this role she is linked in various ways to the life of the pharaoh. Often the pharaoh would call himself the oldest son of Hathor.” 19 Kanye, perhaps symbolizing the Pharaoh, is standing at the gateway to eternal wisdom, about to be executed as assassinated or sacrificed under the watchful eyes of Hathor, the “royal goddess.” Are the goddesses welcoming Kanye “behind the veil,” protecting him in this rite of passage to immortality? In occult circles, new candidates must symbolically die and be reborn to complete their initiation process. Is Kanye being killed an allegory for his initiation? CONCLUSION To sum up the video, Kanye stands at the border between Masonic knowledge and the decadence of the mundane life, represented by lustful and gluttonous women, lounging around eating grapes. Kanye says “goodbye cruel world ! I see you in the morning“, as he has been “chosen” to take part in an initiation process that is often metaphorically described as a “long night,” followed by a glorious awakening as a new being. In order to accomplish this, Kanye needs to kill his old self and be ritualistically reborn. Once this is done, true power is within his grasp. This “moving painting” is definitely a multi-layered artwork, with many levels of interpretation: the first level is a commentary on power by using timeless symbols taken from ancient art; the second level describes a Masonic initiation with a ritual murder and an imminent rebirth. This video lasts a mere minute and forty-three seconds but it manages to give the viewers plenty to ponder on and many symbols to decode. Looking at its meaning from a pop culture point of view, it is interesting to note that this short-film, intended to be viewed by the general public (especially young people), describes the concept of power with overt Masonic symbolism and occult references. This causes the uninformed viewers to unconsciously associate those symbols with the concept of Power, while “those in the know” get the “insider’s wink” sent by this video. Power ultimately becomes another piece in the on-going process called the “Revelation of the Method,” where the true source of power gradually and subliminally reveals itself to the world and occult rituals take place right in front of the public’s eyes.
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2. FOOTNOTES 1. Yasha Beresiner, Arthur Conan Doyle Spiritualist and Freemason, MQ, July 2007 2. Manly hall 3. Encyclopaedia. Britannica., 3rd Edition, Vol. 16, 1797 4. The High Frequency Active Auroral Research Program (HAARP) is an ionospheric research program jointly funded by the U.S. Air Force, the U.S. Navy, the University of Alaska, and the Defense Advanced Research Projects Agency (DARPA). Work on the HAARP Station began in 1993. The current working IRI was completed in 2007, and its prime contractor was BAE Systems Advanced Technologies.As of 2008, HAARP had incurred around $250 million in tax-funded construction and operating costs. HAARP has been blamed by conspiracy theorists for a range of events, including numerous natural disasters. Scientists have commented that HAARP is an attractive target for conspiracy theorists because "its purpose seems deeply mysterious to the scientifically uninformed". 5. Sean Martin, The Knights Templar 6. Domenico Margiotta 33°, Adriano Lemmi 7. Manly P. Hall, Lost Keys of Freemasonry 8. H.P. Blavatsky, The Secret Doctrine -
9. The Theosophist, vol 75, No 6 10. L. Frank Baum, Aberdeen Saturday Pioneer, February 22nd 1890 11. L. Frank Baum, cited by Hearn 73 12. American Theosophist no 74, 1986 13. The Encyclopedic Theosophical Glossary 14. Evan I. Schwartz, Finding OZ: How L.Frank Baum Discovered the Great American Story 15. Theosophical Society’s website: 16. Fritz Springmeier’s Total Mind Control Slave 17. Manly Hall 18. Jordan Michael, Encyclopaedia of Gods 19. Archive for Research in Archetypal Symbolism 20. The Land of Mist is a novel written by Arthur Conan Doyle in 1926. Although this is a Professor Challenger story, it centres more on his daughter Enid and his old friend Edward Malone. Another friend from The Lost World, Lord John Roxton, is also involved in the novel's second half. Heavily influenced by Doyle's growing belief in Spiritualism after the death of his son, brother, and two nephews in World War I, the book focuses on Edward Malone's at first professional, and later personal interest in Spiritualism. 21.http://www.alien-ufos.com/conspiracy-theories/43022-symbolism-numerology-what-goes-behind-your-all-seeingeye-horus-12.html
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